Ad blocker interference detected!
Wikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers
Wikia is not accessible if you’ve made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected.
| This article does not cite any references or sources.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2009)
Ramanattam is a temple art in Kerala, India. It is a dance drama and presents the story of Rama in a series of eight plays and was created under the patronage of Veera Kerala Varma (A.D. 1653-1694) alias Kottarakkara Thampuran. Ramanattom is based on the story of Ramayana from the incarnation of Rama to the Rama-Ravana War, Ravana's defeat and Rama's crowning at Ayodhya. The story was written by Kottarakkara Thampuran and is divided into eight poetic sections so that each section can be enacted in one day. These eight sections are puthrakameshti, seetha swayamvaram, vicchinnabhishekam, kharavadham, balivadham, thoranayudham, sethubandhanam and yudham (war).Ramanattam is widely believed to be the immediate stem of the famous classical art form of Kerala, Kathakali.
After the staging and creation of Krishnattam by the then Zamorin Raja of Calicut in 1657 A.D , its fame spread all over Kerala. Its success induced the neighbouring chief of the Raja of Kottarakkara (Kottarakkara Thampuran) to request the Zamorin for the loan of a troupe of performers on the eve of some festive occasion. It is said that due to internal feuds and political rivalry between the chieftains of the neighbouring States, the Zamorin, besides refusing to send the performers, insulted and humiliated the Raja of Kottarakkara with the remark,
" It is useless to depute the troupe, because your (Raja of Kottarakkara's) court would be neither able to appreciate nor understand anything of the highly artistic Krishnattam and the high standard of the performance "
Here the political rivalry between the two chieftains turned into art rivalry and lead to the Kottarakkara Thampuran, initiating a parallel mode of entertainment, which he called Ramanattam. While the Zamorin of Calicut, Manaveda's Krishnattam was written in Sanskrit, the "language of the gods"; Ramanattam was in Malayalam, the language of the people.
Evolution in to Kathakali
The Raja of Kottayam (Kottayathu Thampuran) of northern Kerala (Malabar) refined Ramanattam in to Kathakali. Kottayathu Tampuran who belonged to the first part of eighteenth century was a poet and a preceptor of dramatics who gave a scientific basis to Kathakali and Attakkatha literature. Bakavadham, Kirmeeravadham, Kalyana saugandhikam and Nivathakayacha kalakeyavadham are the four perfect Kottayam works. And these works are foremost in literary beauty and musical quality and have substantial acting possibilities. Simple arrangement of padams, sweetness of expressions, and depth in conception appear in the works of Thampuran from start to finish. The contributions of Kottayathu Tampuran are invaluable as far as literature, music and technical aspects are concerned. Acceptance of the theory that the literature must be beautiful and sublime if its enactment is to be fully relished was another important development. The most important contribution of Tampuran towards refining Ramanattom to Kathakali was that he steadied the scientific basis of its literature, music and acting.