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Monte Oliveto Maggiore

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Territorial Abbey of Monte Oliveto Maggiore
Territorialis Abbatia S. Mariae Montis Oliveti Maioris
Statistics
Country: Italy
Metropolitan: Immediately subject to the Holy See
Rite: Latin Rite
Area: 49 km²
Population:
  Total:
  Catholics:

500 (2004)
500 (100%)
Cathedral: Abbazia di Monte Oliveto Maggiore
Monteolivetomaggiore02
Ordinaries
Bishop: Michelangelo Riccardo M. Tiribilli, O.S.B.

The Abbey of Monte Oliveto Maggiore is a large Benedictine monastery in the Italian region of Tuscany, 10 km south of Asciano. Its buildings, which are mostly of red brick, are conspicuous against the grey clayey and sandy soil—the crete senesi which give this area of Tuscany its name.

It is the mother-house of the Olivetans and the monastery later took the name of Monte Oliveto Maggiore ("the greater") to distinguish it from successive foundations at Florence, San Gimignano, Naples and elsewhere.

History

Abbazia Monte Oliveto 1

View of the abbey.

It was founded in 1313 by Bernardo Tolomei, a jurist from one of the most outstanding families in Siena. In 1319 or 1320 it was approved by Bishop Guido Tarlati as Monte Oliveto, with reference to the Mount of Olives and in honour of Christ’s Passion. The monastery was begun in 1320, the new congregation being approved by Pope Clement VI in 1344.

The abbey was for centuries one of the main land possessors in the Siena region.

On January 18, 1765, the monastary was made the seat of the Territorial Abbacy of Monte Oliveto Maggiore.

Leadership

Overview

Interior

The monastery is accessed through a drawbridge which leads to a medieval palace in red brickwork, surmounted by a massive quadrangular tower with barbicans and merlons. This edifice was begun in 1393 as the fortified gate of the complex; it was completed in 1526 and restored in the 19th century. Over the entrance arch is a terracotta depicting Madonna with Child and Two Angels attributed to the Della Robbia family, as well as the St. Benedict Blessing nearby.

After the entrance structure is a long alley with cypresses, sided by the botanical garden of the old pharmacy (destroyed in 1896) a water collector pool from 1533. At the alley's end is the bell tower, in Romanesque-Gothic style, and the apse of the church, which has a Gothic façade.

Come benedetto caccia lo nimico di sopra alla pietra

Signorelli's fresco.

Come benedetto risalda lo capistero che si era rotto

Il Sodoma's fresco.

Chiostro Grande

The Chiostro Grande ("Great Cloister") has a rectangular plan and was realized between 1426 and 1443. On the oldest side it has a two-storeys loggia and a pit, dating to 1439. Under the vaults of the cloister are frescoes of the Life of St. Benedict painted by Luca Signorelli and il Sodoma, considered amongst the most important Renaissance artworks in Italy.

The frescoes disposition follows St. Gregory's account of Benedicts' life. Signorelli paintings were executed in 1497-98, while Sodoma's ones date to 1505 afterwards.

The church

The church entrance is preceded, in the Chiostro Grande, by a frescoes with Jesus Carrying the Cross, Jesus at the Column and St. Benedict Giving the Rule to the Founders of Monte Oliveto, also by Sodoma. The church's atrium is on the site of a previous church (1319), showing on the walls ferscoes with Father Hermits in the Desert and St. Benedict's miracle, both by an unknown Sienes artist. In a niche is the "Madonna with Child Enthroned" by fra Giovanni da Verona.

The church as nave on the Latin cross plan, with a luminous interior. It was renovated in Baroque style in 1772 by Giovanni Antiori. The main attraction is the wooden inlaid choir by Giovanni da Verona, executed in 1503-1505. It is one of the most outstanding examples of tarsias in Europe. The church houses also a canvas by Jacopo Ligozzi (Assumtpion, 1598), behind the high altar, and a 14th century polhycrome wooden Crucifix, in the Sacrament Chapel. The sacristy has an inlaid ceiling dating to 1417.

Chiostro di Mezzo

Che Chiostro di Mezzoo ("Middle Cloister") was built in the 15th century, surrounded by a portico with octagonal pilasters. Artworks include a 15th century Madonna with Child and Angels and Annunciation by Riccio. Nearby is the entrance to the refectory, decorated by frescoes by Fra Paolo Novelli (1670) and, in the end wall, a canvas of the Last SUpper by Lino Dinetto (1948).

Library and Pharmacy

The stairs leading to the first floor are decorated by a Sodoma's fresco depicting the Incoronation of Mary and one by an unknown artist of the Deposition. Antonio Muller (an artist from Danzig) executed in 1631 a Characters and Events of the Olivetani, while by Giovanni d Verona is a wooden candelabrum (1502). The latter artist was also author of the library, which has a basilica plan with a nave and two aisles divided by columns with Corinthian capitals (1518). Nearby is the Monastic Library, housing some 40,000 volumes and incunabula. From the library is the access to the Pharmacy, housing, in 17th century vases, a collection of medicinal herbs.

Definitorio

The name Definitorio refers to the Capitular Hall (1498), on whose end wall is a fresco of Madonna with Child and Saints by Matteo Ripanda (16th century); the hall houses a small museum of Sacred Arts, with works by Segna di Bonaventura (Madonna with Child), the Master of Monte Oliveto (Maestà), Neroccio di Bartolomeo (St. Bernardino), Vincenzo Tamagni (Madonna with Child) and a fresco portraying St. Sebastian by an artist of the Sienese School.

References

This article incorporates text from the Encyclopædia Britannica, Eleventh Edition, a publication now in the public domain.

External links

Coordinates: 43°10′31″N 11°32′39″E / 43.17528°N 11.54417°E / 43.17528; 11.54417

sv:Monte Oliveto Maggiore

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