1947 photograph of Larry Adler.

Lawrence "Larry" Cecil Adler (February 10, 1914 – August 7, 2001) was an American musician, widely acknowledged as one of the world's most skilled harmonica players. Composers such as Ralph Vaughan Williams, Malcolm Arnold, Darius Milhaud and Arthur Benjamin composed works for him. During the later stage of his career he was known for his collaborations with popular musicians Sting, Elton John, Kate Bush, and Cerys Matthews.


Larry Adler was born in Baltimore, Maryland, into a Jewish family and graduated from the Baltimore City College high school.[1] Adler taught himself harmonica (which he preferred to call a mouth-organ)[2] and began playing professionally at the age of 14. In 1927, the harmonica was popular enough that the Baltimore Sun newspaper sponsored a contest. His rendition of a Beethoven minuet won him the award, and a year later, he ran away from home to New York. After being referred by Rudy Vallée, Adler got his first theatre work, and caught the attention of orchestra leader Paul Ash, who placed Adler in a vaudeville act as "a ragged urchin, playing for pennies".[3] From there, he was hired by Florenz Ziegfeld and then by Lew Leslie (again as an urchin). Adler finally broke the typecasting and appeared in a dinner jacket in the 1934 Paramount film Many Happy Returns, and was hired by British theatrical producer C. B. Cochran to perform in a London revue. Adler found stardom in the United Kingdom and the British Empire; where, it has been written, harmonica sales increased twenty-fold and 300,000 people joined fan clubs.[4]

Adler was one of the first harmonica players to perform major works written for the instrument, often written expressly for him: these include Jean Berger's Concerto for Harmonica and Orchestra "Caribbean" (1941), Cyril Scott's Serenade (harmonica and piano), Vaughan Williams' Romance in D (harmonica and string orchestra; premiered New York, 1952), Milhaud's Suite Anglais (Paris, May 28, 1947), Arthur Benjamin's Harmonica Concerto (1953), and Malcolm Arnold's Harmonica Concerto, Op. 46 (1954, written for The Proms). He recorded all these pieces, some more than once. Earlier, Adler had performed transcriptions of pieces written for other instruments, such as violin concertos by Bach and Vivaldi - he played his arrangement of Vivaldi's Violin Concerto in A minor with the Sydney Symphony. Other works he played in harmonica arrangements were by Bartók, Beethoven (Minuet in G), Debussy, Falla, Gershwin (Rhapsody in Blue), Mozart (slow movement from the Oboe Quartet, K. 470), Poulenc, Ravel (Boléro), Stravinsky and Walton.

During the 1940s, Adler and the American virtuoso dancer, Paul Draper, formed a very popular act, touring nationally and internationally. Forced to leave the United States by false accusations of communist sympathies during the era of McCarthyism (which made it impossible for Adler to find work), he moved to England in 1949, and settled in London, where he remained for the remainder of his life. The accusations, although without foundation, led to a general sentiment of disregard towards him in the USA during the 1950s and early 1960s. The 1953 film Genevieve brought him an Oscar nomination for his work on the soundtrack (though his name was originally kept off the credits in the United States of America due to blacklisting). He scored a huge hit with the theme song of the French Jacques Becker movie Touchez pas au grisbi with Jean Gabin, written by Jean Wiener.

In 1994 for his 80th birthday Adler, along with George Martin, produced an album of George Gershwin songs, The Glory of Gershwin, on which Adler and Martin performed Rhapsody in Blue. Adler was an entertaining performer and showman—the concerts in support of The Glory of Gershwin also revealed that he was a competent pianist, when he opened each performance with Gershwin's Summertime, playing piano and harmonica simultaneously.

He died peacefully in St, Thomas's Hospital, London, at the age of 87, on August 7, 2001. He was cremated at the Golders Green Crematorium, where his ashes remain.

Other fields

Apart from his career as a renowned musician, Adler also made appearances in several movies, including Sidewalks of London (1938), in which he played a busker. He was also known as a prolific letter writer, with his correspondence with the satirical magazine Private Eye becoming very popular in the United Kingdom. Larry wrote an autobiography — entitled It Ain't Necessarily So — in 1985, and worked as a food critic for Harpers & Queen for some time. Larry also appeared on the Jack Benny radio program several times, entertaining disabled soldiers during World War II.

Personal life

Adler had four children, two grandchildren and two great grandchildren, one of whom was Peter Adler who fronted a band called The Action in Dublin, Ireland in the late 1960s. Adler was an atheist.[5]


  1. "Larry Adler". NNDB. Retrieved 2008-04-28. 
  2. BBC News
  3. Current Biography 1944, pp3-5
  4. Ibid, p. 4
  5. I was among friends and family who packed a chapel at Golders Green crematorium on Friday to hear more than two hours of tributes to Larry Adler. In accordance with Larry's wishes - he was an inveterate atheist who refused to recognise the supernatural in any shape or form - there were no religious observances." Richard Ingrams, 'Larry Adler: brilliant musician, formidable campaigner', The Observer, August 12, 2001, Observer News Pages, Pg. 24.

External links

This page uses content from the English Wikipedia. The original article was at Larry Adler. The list of authors can be seen in the page history.

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