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Basic information
Location Gosh, Tavush Province,
Armenia Armenia
Geographic coordinates 40°43′48″N 44°59′52″E / 40.729878°N 44.997725°E / 40.729878; 44.997725Coordinates: 40°43′48″N 44°59′52″E / 40.729878°N 44.997725°E / 40.729878; 44.997725
Affiliation Armenian Apostolic Church
Architectural description
Architectural style Armenian
Year completed 12th-13th century
Armenia location map
Shown within Armenia

Goshavank (Armenian: Գոշավանք) meaning Monastery of Gosh), is a 12-13th century Armenian monastery located in a village of Armenia named Gosh (Tavush marz), was originally known as Nor-Getik. It was the home of Mkhitar Gosh, after whom the village and monastery were named. Today the monastery is not a functioning religious complex, although it remains a popular tourist destination and is currently undergoing some light restoration.

In addition to the impressive monastery, which has remained in relatively good condition, one of the world's finest khachkars is located at the monastery.


Goshavank was erected in place of an older monastery, Nor Ghetik, which had been destroyed by an earthquake in 1188. Mkhitar Gosh, a statesman, scientist, and author of numerous fables and parables and of the first criminal code, took part in building the monastery, which was known as Goshavank in his honor.

In Goshavank, Mkhitar Gosh founded a school. One of its alumni, Kirakos Gandzaketsi, an Armenian scientist, wrote The History of Armenia. The architect Mkhitar the Carpenter and his disciple Hovhanes also took an active part in the building of the monastery.


Floorplan goshavank

Complex Floorplan:
1. St. Astvatsatsin Church (1191-1196)
2. St. Gregory Church (1208-1241)
3. St. Gregory the Illuminator Church (1237-1241)
4. Double chapel
5. Single chapel
6. Gavit of St. Astvatsatsin church (1197-1203)
7. Bell-tower and book depository (1241-1291)
8. School building (13th c)
9. Gallery (13th cc)

Goshavank does not have outer walls, and is surrounded by village homes. All of the buildings are attached to each other except for S. Hripsime Chapel, which is on the opposite hillside and within view.

Numerous religious and monumental civil buildings show that in the twelfth—thirteenth centuries the monastery was full of life.

The churches are decorated in accordance with the traditions of the epoch. As a rule, the door portals and windows are framed in rectangular or arched platbands some of which are profiled. The facade niches have multifoil or scalloped tops like those of the niches of Geghard’s main church. The unusual and artistically framed sun dial on the southern facade is an eye-catching decorative element.

S. Astvatsatsin

Raffi kojian-goshavank-IMG 0468

Altar of S. Astvatsatsin Church

The main churches belong to the types widespread in the tenth to the thirteenth centuries — the domed tall or the cross-winged domed building with four annexes in the corners of the central crossing.

St. Gregory Church

St. Gregory Church is found between the three chapels.

Grigor Lusavorich Church

Grigor Lusavorich Church in Goshavank, started in 1237 and finished by Prince Grigor-Tkha in 1241, while being true to the type of Armenia’s fifth-century basilicas, is distinguished by the extravagance of its decorations. The small interior has intricate carvings over most of the surface.

It is a small vaulted structure. The bottom of the altar apse is trimmed by a graceful arcature topped with a band which is ornamented with an intricate geometrical pattern and garlands of alternating trefoils and spheres. The columns of the interior lining the sides of the apse and supporting the wall arch of the arched floor are covered with twisted flutings and fillets; a floral ornament of an ingenious design fills the middle of the lintels of the doors leading to annexes.
Raffi kojian-goshavank-IMG 0508

Grigor Luysavorich Church's intricate facade

The exterior decoration of the church is also rich. The graceful arcature with ornamented spandrels, engirdling the edifice, is topped with half-arches on the corners. This creates not only an interesting decoration of the facets of the edifice, but also a smoother transition of the arcature from one facade to the other. The decoration of the butt facades, especially of the western one, is divided in height into separate parts to produce an impression of a substantial size.

The framings of the twin window of the eastern facade and of the western entrance are original. The tympanum of the pointed arch of the latter is filled with a fine ornament composed of an intricate interlacement of floral shoots forming a combination of rosettes of various sizes. A similar ornament covers lintel stones, abaci of the columns, individual parts of the archivolt and a hand of eight-pointed stars trimming the portal in a rectangular frame.

The carving is so perfect that the overall impression is that of an openwork lace. The distinctiveness and richness of the church’s decoration evidence the artistic taste and consummate skill of the craftsmen who created it.


The double chapels are attached to the gavit, and are found behind the church of S. Grigor Luysavorich. There is also a single chapel found behind St. Gregory Church.

Gavit of St. Astvatsatsin Church

Raffi kojian-goshavank-IMG 0460


The gavit of S. Astvatsatsin Church belongs to the most common square plan, with roofing supported by four internal abutments. It has a squat octahedral tents above the central section, making it similar in structure to the Armenian peasant home of the glkhatun type. The gavit has small annexes in the corners of the eastern side of the building. Decorated with various rosettes, these sections contain sculptures of human figures in monks' attires, carrying crosses, staffs, and birds.

Bell-tower and book depository

Raffi kojian-goshavank-IMG 0479

Belltower and book repository to the left of the gallery

The book depository with a bell-tower in Goshavank is a structure of unusual composition. Originally, before 1241. there had been in its place a small building with niches for keeping books with a wooden glkhatun type ceiling. Adjacent to it on the western side was a vast premise which probably served as a refectory and an auditorium. It also had wooden roofing which, judging by its size, had three tents and four internal wooden abutments.

Then, a two-floor bell-tower was built over the book depository. The construction was carried out in two stages. Eight wall-attached abutments and a stone roofing consisting of two pairs of intersecting arches were constructed in the book depository for the cross-plan superstructure. The top floor was elevated only to the height of two rows of stone masonry, as evidenced by the incomplete half-columns situated on the facades. In the second stage, accomplished in 1291 by the patrons Dasapet and Karapet, the top — a small church with two altar apses, crowned with a multicolumn rotund belfry — was completed. The entrance to the church was from the roof of the auditorium by a cantilever stone stair.

The decoration of the building was rather modest. The book depository’s semi-circular and dihedral grooved abutments were topped with plain slabs with the lower corners sloped in the shape of trefoils. The roofings of the corner sections, designed on the false vault principle, are composed of triangles differing in size and shape and arranged in such a way as to form eight-pointed stars. The decoration and design of the base of the rotund belfry, which reproduces in stone modified details of the “glkhatun” wooden tent, is more imposing. The bell-tower was taller than Grigor church, and therefore dominated Goshavank ensemble.

The outer appearance of the building is marked by the gradation of its bulks from the heavy bottom part to the openwork top which emphasizes the domination of the vertical in the building’s composition. The architectural peculiarities of the composition of the bell-tower influenced the design of the structures like the two-story sepulchral churches in Yeghvard and Noravank built in Armenia in the second quarter of the fourteenth century.

School building

The school building lies in ruins.


The gallery is a covered area between the gavit and the bell tower, like a passage, and open on both ends (at least today).


Khatchkar at Goshavank Monastery in Armenia

The famous khachkar at Goshavank known as "Aseghnagorts" (The Needlecarved)

The khachkars created by the carver Pavgos in Goshavank stand out among the rest. The best of them is a 1291 khachkar with the maker’s name carved in the bottom left star, which is one of the most intricate examples in existence. The finely carved lacy ornaments are arranged in layers in which the basic elements of the composition — a cross on a shield-shaped rosette and eight-pointed Starr filling the corners of the middle-cross section—show clearly. The intricate openwork ornaments vary — a clear-cut geometrical pattern constitutes the background, and the accentuating elements form a complicated combination of a floral and geometrical ornament which never repeats itself.

S. Hripsime Chapel

St. Hripsime chapel (1254), situated south-west of the main group on an opposite hillside consists of a square, domed building.


The monastery of Goshavank, together with that of Haghartsin, may become part of a natural site based on the state protected area of Dilijan National Park, an important forest in north-eastern Armenia. [1]


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