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Frank James “Gary” Cooper (May 7, 1901 – May 13, 1961) was an American film actor who converted to Roman Catholicism in 1958. Cooper was renowned for his quiet, understated acting style and his stoic, individualistic, emotionally restrained, but at times intense screen persona, which was particularly well suited to the many Westerns he made. His career spanned from 1925 until shortly before his death, and comprised more than one hundred films.

During his lifetime, Cooper received five Academy Award nominations for Best Actor, winning twice for Sergeant York and High Noon. He also received an Honorary Award in 1961 from the Academy.

Decades later, the American Film Institute named Cooper among the AFI's 100 Years... 100 Stars, ranking 11th among males from the Classical Hollywood cinema period. In 2003, his performances as Will Kane in High Noon, Lou Gehrig in The Pride of the Yankees, and Alvin York in Sergeant York made the AFI's 100 Years... 100 Heroes and Villains list, all of them as heroes.

Childhood

Cooper was born Frank James Cooper in Helena, Montana, one of two sons of a Bedfordshire, England, farmer turned American lawyer and judge, Charles Henry Cooper (1865-1946), and Kent, England-born Alice (née Brazier) Cooper (1873-1967).[1] His mother hoped for their two sons to receive a better education than that available in Montana and arranged for the boys to attend Dunstable Grammar School in Bedfordshire, England between 1910 and 1913. Upon the outbreak of World War I, Mrs. Cooper brought her sons home and enrolled them in a Bozeman, Montana, high school.

When Cooper was 13, he injured his hip in a car accident. He returned to his parents' ranch near Helena to recuperate by horseback riding at the recommendation of his doctor. Cooper studied at Iowa's Grinnell College until the spring of 1924, but did not graduate. He had tried out, unsuccessfully, for the college's drama club.[2] He returned to Helena, managing the ranch and contributing cartoons to the local newspaper. In 1924, Cooper's father left the Montana Supreme Court bench and moved with his wife to Los Angeles, California. Gary, unable to make a living as an editorial cartoonist in Helena, joined them,[3] moving there that same year,[4] reasoning that he "would rather starve where it was warm, than to starve and freeze too."[5]

Hollywood

Failing as a salesman of electric signs and theatrical curtains, as a promoter for a local photographer and as an applicant for newspaper work in Los Angeles,[3] Cooper found work as an actor in 1925.[4] He earned money as an "extra" in the motion picture industry, usually cast as a cowboy. He is known to have had an uncredited role in the 1925 Tom Mix Western, Dick Turpin.[6] The following year, he had screen credit in a two-reeler, Lightnin' Wins, with actress Eileen Sedgwick as his leading lady.

After the release of this short film, Cooper accepted a long-term contract with Paramount Pictures. He changed his name to Gary in 1925, following the advice of casting director Nan Collins,[7] who felt it evoked the "rough, tough" nature of her native Gary, Indiana.[8]

"Coop," as he was called by his peers, went on to appear in over 100 films. He became a major star with his first sound picture, The Virginian, in 1929. The lead in the screen adaptation of A Farewell to Arms (1932) and the title role in 1936's Mr. Deeds Goes to Town furthered his box office appeal. Cooper was producer David O. Selznick's first choice for the role of Rhett Butler in the 1939 film Gone with the Wind.[9] When Cooper turned down the role, he was passionately against it. He is quoted as saying, "Gone with the Wind is going to be the biggest flop in Hollywood history. I’m glad it’ll be Clark Gable who’s falling flat on his nose, not me".[10][11] Alfred Hitchcock wanted him to star in Foreign Correspondent (1940) and Saboteur (1942). Cooper later admitted he had made a "mistake" in turning down the director. For the former film, Hitchcock cast look-alike Joel McCrea instead.

In 1942, Cooper won his first Academy Award for Best Actor for his performance as the title character in Sergeant York. Alvin York refused to authorize a movie about his life unless Gary Cooper portrayed him.

In 1953, Cooper won his second Best Actor Academy Award for his performance as Marshal Will Kane in High Noon, considered his finest role. Ill with an ulcer, he wasn't present to receive his Academy Award in February 1953. He asked John Wayne to accept it on his behalf, a bit of irony in light of Wayne's stated distaste for the film.[12]

Cooper continued to appear in films almost to the end of his life. Among his later box office hits was his portrayal of a Quaker farmer during the American Civil War in William Wyler's Friendly Persuasion in 1956. His final motion picture was a British film, The Naked Edge (1961), directed by Michael Anderson. Among his final projects was narrating an NBC documentary, The Real West, in which he helped clear up myths about famous Western figures.

Cooper appeared in live radio "remakes" of several of his films.

Congressional testimony

In 1944, Cooper joined the anti-communist Motion Picture Alliance for the Preservation of American Ideals. While filming Good Sam, he testified before the House Un-American Activities Committee on October 23 1947, characterized as a "friendly" witness. Asked if he had observed "communistic influence in Hollywood", Cooper named no one in particular but said he had "turned down quite a few scripts because I thought they were tinged with communistic ideas";[4] he also said he had heard statements such as "don't you think the Constitution of the United States is about a 150 years out of date?" and "perhaps this would be a more efficient government without a Congress"— statements he characterized as "very un-American." He also told the committee the following:[4]

Several years ago, when communism was more of a social chit-chatter in parties for offices, and so on when communism didn't have the implications that it has now, discussion of communism was more open and I remember hearing statements from some folks to the effect that the communistic system had a great many features that were desirable. It offered the actors and artists — in other words, the creative people — a special place in government where we would be somewhat immune from the ordinary leveling of income. And as I remember, some actor's name was mentioned to me who had a house in Moscow which was very large — he had three cars, and stuff, with his house being quite a bit larger than my house in Beverly Hills at the time — and it looked to me like a pretty phony come-on to us in the picture business. From that time on, I could never take any of this pinko mouthing very seriously, because I didn't feel it was on the level.

Cooper's testimony occurred a month before the Hollywood blacklist was established.


Personal life

Cooper had high-profile relationships with actresses Clara Bow, Lupe Vélez, and the American-born socialite-spy Countess Carla Dentice di Frasso (née Dorothy Caldwell Taylor, formerly wife of British pioneer aviator Claude Grahame-White). He is also believed to have had an affair with actor Anderson Lawler, with whom he lived, and who introduced him to Hollywood society.[13][14][15]

On December 15, 1933, Cooper wed Veronica Balfe, (May 27 1913 - February 16 2000), known as "Rocky." Balfe was a New York Roman Catholic socialite who had briefly acted under the name of Sandra Shaw. She appeared in the film No Other Woman, but her most widely seen role was in King Kong, as the woman dropped by Kong. Her third and final film was Blood Money. Her father was governor of the New York Stock Exchange, and her uncle was Cedric Gibbons. During the 1930s she also became the California state women's skeet shooting champion. They had one child, Maria, now Maria Cooper Janis, married to classical pianist Byron Janis.

Eventually, Cooper's wife persuaded Cooper to convert to Catholicism in 1958. After he was married, but prior to his conversion, Cooper had affairs with several famous co-stars, including Marlene Dietrich, Grace Kelly, and Patricia Neal. He pressured Neal to have an abortion in 1950, since fathering a child out of wedlock could have destroyed his career.[16] Cooper's daughter Maria, when she was a little girl, famously spat at Neal,[17] but many years later, the two became friends. Cooper separated from his wife between 1951 and 1954.

Cooper was friends with Ernest Hemingway and spent many vacations with the writer in Sun Valley, Idaho.

Death from cancer

In April 1960, Cooper underwent surgery for prostate cancer after it had spread to his colon. It spread to his lungs and bones shortly thereafter.

Cooper was too ill to attend the Academy Awards ceremony in April 1961, so his close friend James Stewart accepted the honorary Oscar on his behalf. Stewart's emotional speech hinted that something was seriously wrong, and the next day newspapers ran the headline, "Gary Cooper has cancer." One month later Cooper was dead, six days after his 60th birthday.

Cooper was interred in Holy Cross Catholic Cemetery in Culver City, California. Years later, when his wife Veronica remarried and moved to New York, she had Cooper's body moved to Sacred Heart Cemetery, Southampton, New York.[18][19]

Filmography

See Gary Cooper filmography on Wikipedia.

References

  1. Arce, Hector. Gary Cooper: An Intimate Biography, New York, William Morrow & Co., 1979, pp. 17-18
  2. Current Biography 1941, pp 170-71
  3. 3.0 3.1 Arce, Hector. Gary Cooper: An Intimate Biography, New York, William Morrow & Co., 1979, pp. 22-23
  4. 4.0 4.1 4.2 4.3 Actor Gary Cooper: Testimony to House Un-American Activities Committee, from the CNN website for the Peabody Award-winning 1998 documentary Cold War,
  5. Current Biography 1941
  6. Gary Cooper at the Internet Movie Database
  7. Profile of Cooper from Turner Classic Movies
  8. Arce, Hector. Gary Cooper: An Intimate Biography, New York, William Morrow & Co., 1979, p. 25
  9. Selznick, David O. (2000). Memo from David O. Selznick. New York: Modern Library. pp. 172–173. ISBN 0-375-75531-4. 
  10. GoneMovie -> Biography Gary Cooper
  11. Paul Donnelley (June 1, 2003). Fade To Black: A Book Of Movie Obituaries, 2nd Edition. Omnibus Press.
  12. Arce, Hector. Gary Cooper: An Intimate Biography, New York, William Morrow & Co., 1979, p. 252
  13. Swindell, Larry The Last Hero: A Biography of Gary Cooper, New York: Doubleday, 1980, pp104-5
  14. Mann, William J. Behind the screen: how gays and lesbians shaped Hollywood, 1910-1969, Viking, 2001, pp105
  15. Lawrence, Jack They All Sang My Songs: The Life and Times of Jack Lawrence, Barricade Books, 2004
  16. Shearer, Stephen Michael Patricia Neal: An Unquiet Life (2006)
  17. Shearer, Stephen Michael. Patricia Neal: An Unquiet Life, Kentucky, University Press of Kentucky, 2006, p. 88
  18. Janis, Maria Cooper. Gary Cooper Off Camera: A Daughter Remembers. Harry N. Abrams, Inc.: New York, NY (1999), page 167.
  19. Gary Cooper at Find a Grave


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