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Constantine's Sword (film)

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Constantines-Sword

The central visual symbol of the film, Constantine's Sword.

James Carroll's Constantine's Sword, or Constantine's Sword, is a 2007 historical documentary film on the relationship between the Catholic Church and Jews. Directed and produced by Oscar-nominated filmmaker Oren Jacoby, the film is inspired by former priest James P. Carroll's 2001 book Constantine's Sword. [1][2]

Synopsis

The title page of this film shows the shadow of a cross, with "No war is holy" written across the transept. Constantine’s Sword is the story of James P. Carroll's journey to uncover the roots of war. Carroll, a former Catholic priest whose father (Joseph Carroll) was a famous Air Force general, implies that there has been a relationship between religiously inspired violence and war, beginning with the adoption of Christianity by the Roman Emperor Constantine I in 312 AD. Constantine was convinced that he had won a battle because he had followed the instructions of a vision, to inscribe a sign of the cross (the Labarum) on the shields of his soldiers. In Carroll's view, this event marked the beginning of an unholy alliance between the military and the Church.

Carroll focuses on Catholic and evangelical anti-Judaism, and invokes the cross as a symbol of the long history of Christian xenophobic violence against Jews and non-Christians,[3][4] from the Crusades, through the Roman Inquisition and the creation of the Jewish ghetto, to the Holocaust. Carroll also charges that there is an ongoing evangelical infiltration of the U.S. military, and that this has had negative consequences for U.S. foreign policy. The film's final chapter, "No war is holy", concludes with views of military cemeteries as Aaron Neville sings "With God On Our Side".

Technical details

See also

References

  1. http://constantinessword.com/?page_id=4
  2. http://www.woodstockfilmfestival.com/festival2007/details.php?id=17976
  3. Constantine's Sword (2008), HollywoodJesus.com
  4. Chris Barsanti. Constantine's Sword film review at Filmcritic.com.

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