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Bes (also spelled as Bisu) was an Egyptian god worshipped in the later periods of dynastic history as a protector of households and in particular mothers and children. In time he would be regarded as the defender of everything good and the enemy of all that is bad. While past studies identified Bes as a Middle Kingdom import from Nubia, some more recent research believes him to be an Egyptian native. References to Bes can be traced to the southern lands of the Old Kingdom; however his cult did not become widespread until well into the New Kingdom.

IconographyEdit

Modern scholars such as James Romano demonstrated that in its earliest inceptions, Bes was a representation of a lion rearing up on its hind legs.[1]

After the Third Intermediate Period, Bes is often seen as just the head or the face, often worn as amulets. It is theorized that the god Bes came from the Great Lakes Region of Africa, coming from the Twa people (a pygmy group) in Congo or Rwanda. The ancient Twa were about the same height as the depictions of Bes.

Dawn Prince-Hughes lists Bes as fitting with other archetypal long-haired Bigfoot-like ape-man figures from ancient Northern Africa, "a squat, bandy-legged figure depicted with fur about his body, a prominent brow, and short, pug nose." [2]

Another theory, connected to Bes's role in both the protection of children and women in labour, is that Bes is the figure of a miscarried fetus

WorshipEdit

Images of the deity were kept in homes and he was depicted quite differently from the other gods. Normally Egyptian gods were shown in profile, but instead Bes appeared in portrait, ithyphallic, and sometimes in a soldier's tunic, so as to appear ready to launch an attack on any approaching evil.

Bes was a household protector, throughout ancient Egyptian history becoming responsible for such varied tasks as killing snakes, fighting off evil spirits, watching after children, and aiding (by fighting off evil spirits) women in labour (and thus present with Taweret at births).

Since he drove off evil, Bes also came to symbolize the good things in life - music, dance, and sexual pleasure. Later, in the Ptolemaic period of Egyptian history, chambers were constructed, painted with images of Bes and his wife Beset, thought by Egyptologists to have been for the purpose of curing fertility problems or general healing rituals.

Many instances of Bes masks and costumes from the New Kingdom and later have been uncovered. These show considerable wear, thought to be too great for occasional use at festivals, and are therefore thought to have been used by professional performers, or given out for rent.

In the New Kingdom, tattoos of Bes could be found on the thighs of dancers, musicians and servant girls.[3]

Like many Egyptian gods, the worship of Bes was exported overseas, and he, in particular, proved popular with the Phoenicians and the ancient Cypriots.

The cult of Saint Bessus in northern Italy may represent the Christianization of the cult associated with Bes; St. Bessus was also invoked for fertility, and Bessus and Bes are both associated with an ostrich feather in their iconography.[4]

BibliographyEdit

ReferencesEdit

  1. The Complete Gods and Goddesses of Ancient Egypt, Wilkinson pub. Thames & Hudson, pg.103 ISBN 0-500-05120-8
  2. Dawn Prince-Hughes, The Archetype of the Ape-man: The Phenomenological Archaeology of a Relic Homind Ancestor, pg. 98
  3. Ancient Egypt Online—Bes
  4. Arduino, Fabio (30-Nov-2006). "San Besso". Santi e Beati. http://www.santiebeati.it/dettaglio/92044. Retrieved December 30, 2008. 
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This page uses content from the English Wikipedia. The original article was at Bes. The list of authors can be seen in the page history.

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